A moment from Easter Sunday at Transformation Church in Tulsa, Oklahoma, spread online, with opinions sharply divided. On April 5, 2026, during the morning gathering, lead worship pastor Roosevelt Stewart II led his team through a reworked version of Travis Scott’s “FE!N,” once built on heavy beats, now shaped by gospel tones. Instead of the usual chants, lyrics lifted Christ’s rising and strength. Dressed in formal wear, Stewart moved across the platform with a rarely seen intensity. Videos posted later on X drew view counts climbing into the millions. Reactions were exactly as predicted: chaos, praise, disbelief, all mixed together.
The clip was shared on X, where it has accumulated millions of views as users reacted to the performance. Under Pastor Michael Todd’s direction, Transformation Church draws attention through unconventional services. Based in Tulsa, the congregation leans into modern soundscapes and stage design to engage those unfamiliar with traditional worship settings.
Its 2022 release titled “Overflow,” performed by the church’s musical ensemble, gained broad traction online. A dramatic Easter presentation in 2023 sparked discussion about sacred rituals versus performance elements.
Now, the updated version of FE!N, circulated across social media platforms such as X, by users like @WallStreetApes, follows this established pattern.
In the now-viral footage, you can see Roosevelt Stewart II standing center stage in a tailored suit, while musicians back him during a rendition driven by the distinct rhythm of FE!N. Instead of echoing the track’s typical lyrical themes, this version channels force into devotion with phrases like “King,” “Nothing on Him,” and “What my God can’t do” appearing throughout.
Those present respond physically, some moving to the music as it unfolds live. Equipment within the hall gives the setting the feel of a stadium rather than a conventional place of worship.
Internet Reacts to Oklahoma Church’s Gospel ‘FE!N’ Remix on Easter Sunday
The praise came in fast. “That’s hard! He cooked,” one person wrote. Another stayed in the same lane: “We not gonna act like this ain’t fire lol. And he SINGING sheesh.” A third kept it simple: “Nahhh turn this up this go hard.”
The skeptics were equally quick. “These pastors lost the plot so long ago,” one commenter wrote, while another reached for eternity: “All them goin to hell, but shiiidd this song FIREEEE.” Someone in the middle asked the question underneath all of it: “I’m really confused. How is this bad? Did they say in the Bible that Jesus wants us to be bored to death or something?”
Among the reasons for the clip’s spread lies its timing. It appears when questions arise about worship’s form, audience, and purpose. Could blending church with concert energy create a connection or blur the meaning? For years, Transformation Church in Oklahoma has stood at the center of such tensions. This Easter moment fits neatly into that timeline, offering another episode rather than a departure.
Attention also turns toward the selection itself. FE!N resists gentle reworking. Far from light melody, it emerges from Travis Scott’s sonically aggressive tracks, shaped by intensity and repetition. That raw base may amplify spiritual contrast for some, while completely unsettling others.
The footage continues to circulate across social media platforms, with the original post on X accumulating millions of views since Easter Sunday
