Title: The Legend Of Tarzanย
Release Date: July 1st, 2016
Studio: Warner Bros Picturesย
Director: David Yates
Release Format: Theatricalย
In many ways the works of Edgar Rice Burroughs stand as the building blocks for the age of superheroes. Tarzan and John Carter, in particular, embody the archetypes that are arguably more popular now than in their heyday. In a time when Marvel and DC dominate the film conversation, pumping these stories full of nitrous for a new generation seems like a no brainer. However, hereโs the catch. Weโre already starting to grow tired of our own superheroes. In a world where an obligatory cinematic universe opens up every week, the stories that inspired them to seem more like mulch than roots. Disney made this unfortunate discovery with John Carter a couple of years back. Now, itโs Warner Brothersโ turn on the chopping block with The Legend Of Tarzan.ย
The story takes place over a decade after Tarzan (Alexander Skarsgรฅrd) and Jane (Margot Robbie) met. The former king of the jungle has since become an English aristocrat, while his wife has become a teacher. Everything seems hunky doryย until he receives a fishy invite to return to the jungle as a trade emissary. Accompanied by George Washington Williams (Samuel J. Jackson), Tarzan and Jane reluctantly take the offer and discover trouble amiss. Captain Lรฉon Rom (Christoph Waltz) has started taking the natives as slaves, kidnaping Jane in an attack on her tribe. Now, a domesticated Tarzan and Williams must find a way to retrieve Jane and save the jungle.
The fundamental problem with The Legend Of Tarzan is that it wants to be both conceptually inventive and risk-free. The concept of Tarzan having to re-adjust to the jungle is actually a very clever one. Ideally, it would humanize a character that has always been hard to track while allowing the filmmakers to play with the storyโs troupes. Itโs akin to what Kenneth Branagh did with Thor. However, this movie steps onto the playground only to sit in the sand. Tarzan is almost immediately re-adjusted, and the film devolves into a trite chase movie with standard action sequences.
It certainly doesnโt help that our Tarzan isnโt exactly a ray of charisma. Skarsgรฅrd certainly looks the part, but he never sells it. His Tarzan is a stilted bore with no authority or presence. He seems like a model with dirt on him, not the commanding king of the jungle. I donโt believe that this guy could hold a conversation with a Pygmy Marmoset let alone a gorilla. Meanwhile, the supporting cast of fantastic actors is all trapped in standard types. Robbie brings her spunky charisma to Jane, but the character isnโt given anything to do besides wait for her savior. Opposite her is Waltz, and while there isnโt a generic villain that he canโt make charismatic, this is perhaps his blandest typecasting yet. With his snakeskin necklace and twirly mustache, heโs exactly the caricature needed to keep up the lack of complexity. Jackson is clearly supposed to be the audience avatar. However, heโs so generically written that it relies entirely on Jacksonโs charm to carry it. He canโt though since Tarzan is so stiff that there arenโt any good moments of interplay.
David Yates, coming from making the later few Harry Potter films, finds himself totally lost here. His aversion to color served the darker aesthetic of those stories but does a great disservice to the jungle. Nothing feels vibrant. It is as if he waited for the season where the plants die to shoot. His action sequences are completely flat, a combination of shoddy CGI and terrible camerawork. Thereโs plenty of hacky slow motion here, and the minute anything quickens the frame is always in the wrong place. Thereโs no sense of fluidity or motion as Tarzan swings through the trees. Itโs more like a studio rep covering the audienceโs eyes while whispering in their ear โitโs very cool, donโt worry.โ Beyond that, none of the sequences themselves have any playfulness or invention. Itโs all the standard monster mashes, chases, and near misses that are essentially parody fodder at this point.
The Legend Of Tarzan is a terrible movie, but not even the productive type of terrible. Thereโs nothing to laugh at here, as that would require Yates and company to have gone outside of the box. Watching it is more of a game of storytelling bingo than anything else. As every beat falls predictably in place, you can give yourself a little pat on the back for predicting them. There was very clearly a concept here for a great movie at one point. However, everything about the final product screams of a studio who is terrified of giving their product any personality. In a summer where even tried and true heroes are falling short, thereโs no place for this false jungle king.
Characters:ย All of the players here are stock types, and the film takes no opportunities to subvert them. Tarzan is your strong hero, Jane is your damsel in distress, andย Rom is literally a mustache twirler.
Cinematography:ย This is a murky, ugly looking film. Yates’ passion for making everything look gray does no favors for what’s supposed to be a spunky adventure movie. All of the action scenes are either impossible to make out, or drenched in herky-jerky CGI.
Story:ย While the initial premise of an out of practice Tarzan is intriguing, there’s nothing interesting done with it. Any humor or subversion is left behind in favor of a standard adventure movie.
Acting:ย Alexander Skarsgรฅrdย makes for a bland leading man, while a supporting cast of fantastic actors is given nothing interesting to react to. Robbie, Waltz, and Jackson are all wasted here.
[review]
